Motion that feels alive
Describe the action in the scene before the camera.
Separate subject and camera movement
Leaves sway, fabric moves, a cyclist pedals. These are changes in the scene. A push-in is camera movement. For a photo that feels alive, describe visible subject motion and use a locked camera when appropriate.
Keep a short clip simple
One subject, one clear action and one atmosphere is a good start for five seconds. Too many actions can compete for the same short clip. Avoid requesting sudden transformations unless that is your goal.
Use the reference intentionally
A clear source image with visible subject boundaries helps explain what should move and what should stay fixed. Check your generation quote and invitation limits before submitting.
Leaves sway gently and a droplet slides down the bottle. Keep the bottle shape and lighting intact. Locked camera, no zoom, natural physical movement.